Ever wonder about  winning the big Powerball Lottery or having some long lost relative  leave you a ridiculous amount of moolah? Imagine if someone said you can  own and live in any structure you choose. Another caveat might be that  you must choose some place you have actually seen. Well, I now know  where my home would be......."The Fonthill" in Doylesville, PA. 
      Yes the concept of home as castle has been more than theory. Mr.  Henry Mercer designed and built his own castle. Having made his fortune  with a ceramic tile company as artist, designer and owner, he became  quite wealthy. This was also enhanced by a benevolent aunt. The amassed  fortune enabled him to build the castle and a museum. Fonthill took four  years to build with reinforced concrete. Now we're talking floors,  walls, ceilings, roofs and even most of the bookshelves are all  concrete. To announce completion of his (and Rodney's) dream home, he  built a large bonfire atop his creation to serve as a celebratory  beacon. 
     Susan also considered this a contender as her  fantasy home; glad we can agree on where we will be spending our golden  years whiling away the years in any one of our glorious rooms (44) found  in our 19,000 sq ft of wondrous home. Note: there are ten bathrooms and  18 fireplaces; perfect for guests. Note two: The house also has a vast  collection of ceramic tiles from around the world built into the walls  and ceilings. 
     You may wonder how this  architectural wonder fits into the Oddasee ideal. Well in addition to it  being truly unique, Mr. Mercer could actually be considered an outsider  artist. He studied archaeology and had a law degree but no art  training. He learned ceramic arts almost by accident and with little  more than devotion, curiosity and an impressive work ethic he created  The Monrovian Tile Works. With the soul of a visionary and large bank  account, he created a sculpture that served as a home and museum that  houses part of his massive collection - The Mercer Museum will be  covered in Day 57 (part two).
    So, it is  with a certain sense of relief and clarity, we can now sleep knowing  what will surely be our home and studio. Please stay on our email list.  We'll be having one heck of a house warming. Also watch for the bonfire  we will be using to announce our dream come true. 
Love  and tiles,
Rodney and Susan
Ps.  The side story:
    Whenever possible we avoid the "group  tour" found in many museums. If given the chance, we opt for the  self-guided option. On occasion there is no choice if one wants access  to the museum. The Winterhur was one such venue. Alas so was The  Fonthill. There was also the added restriction of no interior  photography.
     After sitting in a small room to watch a  short video with another couple, our "guide" came in with "Anyone  ready..... for.... a.... tour?" This was our introduction to Mary S. At  this point I must try to describe this curious creature (see last  photo). She was likely a volunteer. She was passionate about the  history, the castle and Mr. Mercer (I lost track of her use of his name  at 87 mentions in the first half hour). Now the most bizarre and squirmy  aspect of this
unavoidable aspect of the experience was her  voice. Not only the pitch but also the cadence. Imagine Truman Capote  meets Aunt Bea of Mayberry fame and add in a tinge of Little Richard;  all with an incredibly frustrating habit of mid-sentence long pauses.  Oh...my...gawd! Within minutes we were not sure if a suicide pact was in  order or murder in the castle. Then there were the sing-songy affected  statements like. "These --- red--- tiiiles --- are called------- red  tiiiiiiiiiles." Please just kill me --- kill me now. If not for the  overwhelming magic of this place, there would surely have been an  in--ci--Dent! She was sweet but her syrupy delivery was just too  much.... oy!
     Note: you will find a few interior photos.  After we allowed to take photos outside on the upper balcony, the Nikon  was out so we went into the subversive photo mode. R. would linger  behind as S. would distract our Museum Sherpa with questions and the  resultant noise that disguised the clicks. The pics are a sad  representation of the rooms within The Fonthill.   






















 
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